Review: Tulsa King – Season 1, Episode 1: Pilot
Introduction
"Tulsa King" is a crime drama series that marks Sylvester Stallone's debut as a television leading man. Created by Taylor Sheridan, known for hits like "Yellowstone," and co-written with Terence Winter of "Boardwalk Empire" fame, the show promises a unique blend of crime, humor, and character-driven storytelling. The pilot episode, titled "Go West, Old Man," sets the stage for an unconventional crime saga, introducing viewers to Dwight "The General" Manfredi, a New York mafia capo who is thrust into the unfamiliar world of Tulsa, Oklahoma.
Plot Overview
The episode begins with Dwight Manfredi (Sylvester Stallone) walking out of prison after serving a 25-year sentence for a crime he committed to protect his mafia family. Expecting gratitude and a warm welcome, Dwight is instead banished to Tulsa by his boss, who sees him as an outdated relic in the modern criminal world. Feeling betrayed yet determined, Dwight sets his sights on building his own empire in this new, uncharted territory.
Upon arriving in Tulsa, Dwight quickly realizes just how out of place he is. The quiet, laid-back city is a far cry from the bustling streets of New York. However, he wastes no time in establishing his influence. He strong-arms his way into the local marijuana dispensary business, forming an unlikely partnership with Bodhi (Martin Starr), the dispensary owner. Dwight also recruits Tyson (Jay Will), a young, ambitious driver, to be his right-hand man and navigate him through this unfamiliar landscape.
Throughout the episode, Dwight’s old-school mafia mentality clashes with Tulsa’s modern, more relaxed way of life, leading to both comedic and dramatic encounters. His unconventional methods quickly gain attention, setting up conflicts with local authorities and rival criminals. The episode ends on a tense note, hinting at the challenges Dwight will face as he tries to establish his own criminal empire far from the influence of his old mafia family.
Character Development
Dwight Manfredi (Sylvester Stallone)
Sylvester Stallone delivers a standout performance as Dwight Manfredi, a seasoned mobster grappling with the realities of modern life. He perfectly balances toughness with vulnerability, showcasing Dwight's struggle to adapt after decades behind bars. Dwight's charisma and old-school loyalty make him a compelling character, and his fish-out-of-water experiences in Tulsa add humor and depth to his journey.
Bodhi (Martin Starr)
Bodhi is an intelligent yet laid-back dispensary owner who becomes Dwight’s first ally in Tulsa. His cautious demeanor contrasts sharply with Dwight’s brash confidence, leading to humorous yet insightful interactions. Their partnership is one of necessity but shows potential for genuine camaraderie as the series progresses.
Tyson (Jay Will)
Tyson represents the younger generation’s ambition and curiosity. Eager to learn from Dwight, he provides a bridge between Dwight’s old-school mafia ways and the modern world. His youthful energy and naivety offer a fresh dynamic, making him a character to watch as he navigates his new role under Dwight’s mentorship.
Themes and Tone
The pilot episode of "Tulsa King" explores several prominent themes:
- Adaptation and Reinvention – Dwight's journey is one of self-reinvention as he tries to adapt his old mafia ways to a modern world that has moved on without him.
- Loyalty and Betrayal – The episode establishes Dwight's deep sense of loyalty to his mafia family, contrasted with their betrayal of him. This internal conflict drives his motivations and shapes his actions throughout the episode.
- Cultural Clash – The juxtaposition of New York mafia culture with the laid-back lifestyle of Tulsa creates a unique narrative dynamic. This cultural clash is a recurring source of humor and conflict, giving the show its distinctive tone.
The show masterfully blends dark humor with gritty crime drama, maintaining a balance between intense character moments and light-hearted, often absurd, scenarios. This tonal balance keeps the episode engaging and unpredictable.
Cinematography and Direction
The direction of "Go West, Old Man" is sharp and visually captivating. The series uses wide, sweeping shots of Tulsa’s sprawling landscapes, emphasizing Dwight’s isolation in this unfamiliar land. The contrast between the bright, open plains of Oklahoma and the gritty, shadowy flashbacks of Dwight's past in New York enhances the storytelling.
The cinematography also captures Dwight's emotional journey through strategic close-ups that reveal his internal struggles. The use of dynamic camera angles during confrontations adds tension, keeping viewers on edge. The editing is crisp, maintaining a brisk pace without sacrificing character development.
Humor and Heart
One of the pilot's greatest strengths is its ability to blend humor with heartfelt moments.
- Humor – Much of the comedy arises from Dwight’s confusion and frustration with modern society. His struggle to understand technology and social norms is both hilarious and relatable. Stallone’s comedic timing is impeccable, delivering deadpan lines that highlight his character's tough-guy persona in a humorous light.
- Heart – Beneath Dwight’s tough exterior lies a man grappling with loss and betrayal. His longing for connection and his struggle to find purpose after prison provide emotional depth. The moments of vulnerability and sincerity humanize him, making his journey compelling and relatable.
Final Verdict
"Tulsa King – Season 1, Episode 1: Pilot" delivers a strong and captivating introduction to the series. It successfully establishes Dwight Manfredi as a complex anti-hero, blending crime drama with dark humor in a fresh and entertaining way. Sylvester Stallone’s charismatic performance, paired with sharp writing and direction, sets the stage for an intriguing character-driven narrative. The unique premise and cultural clash between old-school mafia and modern-day Tulsa create a dynamic and engaging story world.
Pros:
✔ Outstanding performance by Sylvester Stallone
✔ Unique blend of crime drama and dark humor
✔ Compelling character dynamics and cultural clash
✔ Strong visual storytelling and direction
Cons:
✖ Some supporting characters are underdeveloped
✖ The narrative pacing is fast, leaving less room for emotional exploration
Score: 8.5/10
"Go West, Old Man" is an impressive start to "Tulsa King," offering a fresh perspective on the crime drama genre. With a charismatic lead, sharp humor, and an engaging premise, the show is poised to become a standout series. The pilot lays a solid foundation, leaving viewers eager to follow Dwight Manfredi’s journey as he navigates the complexities of building his empire in Tulsa.
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